Fourth consecutive quarter of LFL growth at Morrisons

first_imgMorrisons – which was crowned In-store Bakery Retailer of the Year at the Baking Industry Awards in September – has reported its fourth consecutive increase in like-for-like sales.The retailer announced a 1.6% increase in like-for-likes (excluding fuel) in the 13 weeks to 30 October. Total sales excluding fuel were down 1.2%, which Morrisons said was a result of the continuing impact of supermarket closures and sale of its M Local convenience stores.Morrisons said it was continuing to attract more customers by improving the shopping experience, with the number of like-for-like transactions up 4.1%. Prices had fallen 1% on average as the business invested to become more competitive.“We are becoming better food-makers and shopkeepers,” it added in a statement, “and we were delighted to win two prestigious industry awards recently: In-store Bakery Retailer of the Year at the Baking Industry Awards and National Café Chain of the Year at the Café Quality Food Awards.”Activity in the past quarter has also included the rollout of hundreds of products under new premium range The Best.Morrisons plans to extend The Best range in the run-up to Christmas as it aims to boost performance around seasonal events. The retailer said this Halloween had been its “biggest ever”, with seasonal Halloween sales up around 20% year-on-year.“Our like-for-like sales have now been positive for a year, which is thanks to the hard work and dedication of the whole Morrisons team,” said chief executive David Potts.“There is a lot more we plan to do. We will keep investing in becoming more competitive and improving the shopping trip, and I am confident we will serve our customers even better during the important trading period ahead.”Analyst Edison said maintaining progress would be more challenging in Q4 as this would be the first quarter that would be compared with a positive growth.last_img read more

Violins of Hope – Israeli Violin Maker is Restoring Instruments from the

first_imgRecently, some very special concerts were given in the United States. They are part of a worldwide tour of unique instruments which were last played before and during the Holocaust in Europe. This tour, called “Violins of Hope”, has been traveling the world for the last few years with a couple of special purposes in mind: to play these instruments in memory of their former owners, and to keep alive the music that they played, some of which was the “klezmer” folk music of the Eastern European Jewish community.Chief Master Sgt. Deborah R. Volker performs during a Holocaust Commemoration. U.S. Air Force photo by Senior Airman Jordyn FetterOne of the people behind the project in Amnon Weinstein, a master luthier who has devoted much of his life to finding and repairing violins belonging to victims of the Nazis.One of the things common to the violins of the era is that many of them are inscribed inside. Most of the inscriptions relate to marriage, the birth of a child, an anniversary or other happy occasions.A few, inscribed in the 1930s, record ominous warnings about what was happening in Europe at the time. A colleague of Weinstein’s found a violin with the inscription “1933 Hitler came to power.”Weinstein has a collection of over 45 violins from the time, and in 2012, he found another. This time, the inscription both chilled and puzzled him. Inside the violin was the inscription “Heil Hitler!”, with a deeply engraved swastika in it.Weinstein got the violin from an American violin maker, who in turn had bought it from an Orthodox Jewish violin seller. The man told Weinstein that if he didn’t buy it, the man would burn it. He had played it for years before noticing the swastika and didn’t want to own it any longer. Weinstein bought the violin.76-year-old Israeli violin maker Amnon Weinstein holds a violin that survived the Second World War bearing German writing and a Nazi Swastika sign at his workshop in Tel Aviv on July 15, 2016. Photo by MENAHEM KAHANA/AFP/Getty ImagesWhen he opened it up, he saw clearly the swastika and “Heil Hitler.” What stood out for him aside from the actual inscription was the force that was so obviously used to inscribe the instrument. Weinstein had a graphologist (a person who analyzes writing) analyze it, and he said that the writer had been a very aggressive person.Weinstein admits that he may never find out who originally owned the violin, but he did piece together bits of its story. In 1936, three years into Hitler’s regime and as the pressure mounted on Germany’s Jews, the owner of the violin went to a violin repair shop. Many if not most violin repairmen – luthiers – were not supporters of Hitler.Portrait of Adolf Hitler. Photo by Bundesarchiv, Bild 183-H1216-0500-002 / CC BY-SA 3.0 deHis banning of the works of so many artists, many of whom were Jewish (Mendelssohn, for example) irritated many in the musical world, luthiers among them. In the Europe of the time, many middle and upper-middle class families taught their children to play violin and piano. This was especially true of the Jewish community in Germany. Most of the luthiers business would have come from Jewish customers.How did the hateful inscription get there then? The owner of a violin shop would never have done this, Weinstein believes. The customer was likely someone known to the repairman, and probably a repeat customer.What Weinstein believes is that a young apprentice, caught up in the hatred all around him, carved the inscription, and re-sealed the lid before his boss was any the wiser. The inscription cannot be seen from the outside – it was a sick practical joke: the Jewish player playing an instrument with a dedication to Hitler inside it.Though Weinstein is immersed in the Holocaust on a daily basis, there are some good stories to go along with the bad. A few years ago, he received a broken violin which had been thrown out of a train headed from the Drancy camp in France to Auschwitz.Read another story from us: The Most Popular Music from Auschwitz Performed for First Time Since 1945The broken violin was handed down, along with its story, from one generation to the next, until it came to Weinstein for repairs. In 2013, this violin, with others from the period, played in a sold-out world tour, bringing at least one aspect of their owners legacy back to life.last_img read more